

James Preston Allen

Paintings Early 80s to 1990s
3 Muses 1982
Mixed Medium & Paint on Canvas// 14.5 in x 15 in//

Into the Storm
Acrylic Paint 24 in x 10 in

Followed By Fish 1983
Mixed Medium// 27.5 in x 33.5 in//

Jester 1979
Ink & Paint on Paper// 8 in x 11 in//

Eridian Woman 1982
Paint & Collage on Glass// 10.5 x 17 in//

Green Man 1980
Ink & Paint on Paper// 6.5 in x 12 in//

Of Two Minds 1980
Paint on Paper

3 Fates 1982
Ink on Paper

Cut by Lips,
Kissed by Dogs 1983
Mixed Medium 17.5 in x 13.5 in//

Slashed Torso 1983
Mixed Medium on Glass// 17.5 in x 13.5 in

Man with the Lobster Leg Hat 1987
Paint

5 Sevens 1987
Mixed Medium// 22 in x 10 in//

More Works
Neo-Primative 1980
Collage// 10.5 in x 12.5 in//

Isolation 1980
Paint// 20 in x 25.5 in

The Mariner 1980
13.5 in x 16.5 in

Imaginary Beast 1979
Drawing with Wash// 9.5 in x 10.5 in//

Blue Man V 1985
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The Package 1983
24.5 in x 19 in
Window of Our Friendship
Acrylic on Wood & Glass// 10.5 in x 13 in
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More from the early years
the Telephone's on fire
Acrylic on paper 36" x 24" 1980s

The Return on Moby Dick
Paint on paper 24" x 35" 1980

Telephone pole on fire
24" x 36" acrylic on paper 1980s

Greed
acrylic on paper 24"" x 36" 1980s

Her Body
acrylic on paper, 30" x 40" 1985

I found you
Mixed media acrylic on paper 36" x 24 " 1987

Her Operation
Mixed media acrylic on paper 1985



It is perhaps the accumulation of the small things that mount up in one’s life that contain the most significance when taken as a whole. It’s the little stuff that adds up over time, the things we don’t consider important but really they do. These little things often represent the thoughts or impressions that we dismiss day to day as being extraneous or superfluous, but in the end, accumulated, they mount up to be colossal. Sometimes they are the mistakes we regret, other times the debilitating fears or the long held passions we attempt to repress. They exist right next to us, each hiding in the corners casting longing shadows on the things we admit to–they run as a subconscious stream underneath what we touch and say.
The contents of these boxes and tins contain the contents of these distractions of life, which when collected together seem to draw their meanings like poems or songs as metaphors on the passage of life, embedded with intended but unintentional acts of habitual, excessive and compulsive construction and collecting. They are visual poems whispered in the eyes of the viewer, like a gift to a lost one who never returns. View them in the Gallery
Gallery
Most Recent Exhibition
A Curious Matter Left Unresolved
A series of small assemblages dealing with fear, passion and death
by: James Preston Allen, ©2006-2008
















